The first goal is to identify the risks in Orchestra Hall of virus-carrying particles flying between and among players and to figure out how to capture or disperse those particles - paving the way for safe, in-person concerts again. U mechanical engineers are working with the Minnesota Orchestra to study the strength and concentration of aerosols that emerge from brass and woodwind instruments, trying to assess how risky they might be in the spread of the coronavirus that causes COVID-19. student adjusted the funnel in the horn’s bell. They had been watching, more than listening, measuring not the sound from Gast’s horn but the particles. His forehead red, his cheeks deflated, Gast turned to his audience: six University of Minnesota researchers. Affiliations include UW-La Crosse Theater Department, Madison Theatre Guild, The Heibing Advertising Group, John Roach Projects, Knupp & Watson, Normco Productions, Newell Corporation, and the Madison Convention and Visitors Bureau.Onstage at Orchestra Hall, Michael Gast lifted his French horn and, as a metronome clicked, played a scale loudly. He has composed and sequenced soundtracks for theater, television, radio and corporate purposes. Colin Publishing, Roger Dean Publications and the Lorenz Corp.ĭavid is also in demand as a composer and arranger with numerous jazz, rock and commercial ensembles, large and small. Publishing affiliations include, Tom Harrell, Hal Leonard Corp., Chas. These publications include an adaptation of the Bach cello suites for trumpet, numerous jazz transcription books, a book/CD of arias arranged and adapted for Mezzo- Soprano and Trumpet, and most recently, Bartók’s 44 duets transcribed and edited for two trumpets. As a clinician, he has lectured and performed at the International Trumpet Guild Conference, New York Brass Conference, and is a regular clinician at the Eau Claire, La Crosse and Dubuque jazz festivals as well as a very active soloist/clinician with regional schools and community ensembles.Īs a published author, his website, produces and sells a number of his music publications and recordings. The principal guests included Adolph Herseth, Doc Severinsen, Charles Lazarus, members of the Minnesota Orchestra trumpet section among other wonderful players. Cooper hosted a trumpet festival that attracted over 450 participants. Master classes, lectures, and private instruction are weekly regimen for his students who receive education in solo and orchestral repertoire, jazz improvisation, commercial, studio, and various ethnic and world music topics. Cooper is currently the professor of trumpet and jazz studies at the University of Wisconsin �" Platteville. Past ensemble affiliations include the Wisconsin Brass Quintet, the Canton Symphony Orchestra, The Cleveland Jazz Orchestra, The Milwaukee Symphony Orchestra, The Dallas Brass, Walt Disney World, The Aspen Jazz Ensemble and the La Crosse and Madison Symphony Orchestras.Īs an educator, Dr. Performances have been with such renowned artists as Kurt Elling, Lynn Harrell, Orbert Davis, Ben Sidran, Andre Watts, Bob Mintzer, Joe Williams, Ed Shaunessy, Clyde Stubblefield, Bobby McFerrin, Armen Donelian, Lew Soloff, Bobby Shew, Bob Newhart, Marie Osmond, Robert Goulet, among others. His performing affiliations include Principal trumpet with the Dubuque Symphony Orchestra, the New Breed Jazz Quintet, the salsa band “Candela”, Principal show trumpet for the Weidener Center for the Performing Arts as well as performing with many jazz and classical ensembles throughout the region. David Cooper is widely recognized as one of the most versatile trumpets players in the Midwest.
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